Photoshop sharing

Not an expert, just sharing what I know about Photoshop

10 Tips For Using Adobe Photoshop

By: Paul Wilson

Like a brush is to a painter an essential skill in the field of graphic design is Photoshop. The software offers increased productivity as well as flexibility. The features include aspects like file browser, vanishing point tool, smart sharpen filter, noise reduction filter, smart objects, as well as camera workflow enhancements. Photoshop offers professional photo editing features, digital imaging, as well as non destructive editing.

There are so many hidden features and insights to software, that it is often impossible to know them all.

1. There is a hidden option using which you can simulate bold and italic formatting styles for fonts that do not have these options. Click the button on the type tool option to bring up the character palette. Then select text and click the arrow in the upper right hand corner of the palette menu where faux bold and italics are present. However you will not be able to warp type when formatting has been applied.

2. One can quickly flip through blend modes while trying out effects by using the keys “shift+ to change to next mode and shift- to go to the previous mode.” When a painting tool is active this shortcut will change the blend mode of the painting tool. However, if anything is highlighted then the shortcut will not work. You will have press esc and then use the shortcut keys again.

3. The photomerge feature can be used to seamlessly combine multiple images to create a panorama. This feature can be accessed from the Automate menu. You can even refine the composition using tools like rotate, zoom, pan, and set vanishing point.

4. When re-sampling images one can use either Bicubic Smoother or Bicubic Sharper. You can use Bicubic smoother for up sampling and Bicubic sharper for down sampling. You can actually specify which interpolation method is to be used by going to general preferences and setting a default.

5. There are two features for printing. You can use contact sheet II or picture package. Use contact sheet when you want all images in the same size and you want to print the name below the image. Use printer package when you want different image sizes on the same page, or multiple copies of the same image, or a text overlay.

6. If you want to remove a glare on the eyeglasses of an image you should use a part of the lens that does not have a glare and use it to layer the lens with a glare. Use tools like rotate and skew and soft-tip eraser to soften the edges. Ensure the glare does not show through from below. Or, do some careful work using the clone tool.

7. The online services enable you to connect to online photo printing and sharing sites.

8. The Web Photo gallery can generate hyperlink pages that can be uploaded to a server.

9. The Picture Package option will help you prepare photos in layout with multiple size prints on one page.

10. You will never forget how you achieved a certain result because the History Log will detail every step taken by you as well as time-tracking, and a legal record. There are three choices wherein, you can create a sessions only record where, it will record only when Photoshop is opened or closed; or a concise record which will record each action including the text that appears in the history palette; or the complete editing history including the text that appears in the actions palette.

Adobe Photoshop is a dream tool for every designer and one can over time master every subtlety of the tool and crop, rotate, resize, create shapes, add layers, change text, and play with colors. It is a hands on software where the more you use it the more you will learn.

Author Bio
Paul Wilson is a freelance writer for www.1888SoftwareDownloads.com, the premier website to find Free Software Downloads including free anti-virus software, free spyware detection software, free toolbars, free chat software and more. He also freelances for Free Online Games site www.1888FreeOnlineGames.com

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Posted on on October 19th, 2008 in Uncategorized   | No Comments »

Correcting Cloudy Picture by Photoshop

This practice perhap is not applicable for all pictures, so please do try and check wether is applicable or not. The steps are :

1. Open an cloud-distorted picture in Photoshop CS.
2. Press Ctrl+M to open Curve Tool.
3. Click Auto
4. OK
5. At this state, the cloud dissappears and the pict will look contrast, but it’s slightly dark and      reddish.
6. To reduce the reddish effect, click Ctrl+B to open Color Balance Box.
7. Slide away from red toward cyan until the reddish state can be accepted.
8. OK
9. Click Tool, Adjustment, Brightness and Contrast.
10. Increase the Contrast value while previewing the pict.
11. Done

Posted on on February 6th, 2008 in Uncategorized   | No Comments »

Adobe Photoshop levels-Turn junk into gold by clicking a but

There is no doubt in my mind; Adobe Photoshop is the greatest Photo editing program in the world. Whether you are a novice or an expert Photoshop is the program for you. Photoshop is used by my children and by the movie making industry. So what exactly can I do with Photoshop? The better question is what can�t you do with Photoshop?

Today I would like to talk about the simple little function in Photoshop called �Levels�, the first step to improving the appearance of a photograph. There are 4 basic steps taken to enhance, brighten or retouch photos are Levels, Brightness, Variations, and Saturation, in that order.

�The Levels dialog box lets you correct the tonal range and color balance of an image by adjusting intensity levels of the image’s shadows, midtones, and highlights. The Levels histogram serves as a visual guide for adjusting the image’s key tones.� Adobe�s official description of levels
Screen example here: http://www.weprintcolors.com/screens/screen_ps_levels.htm

Use levels to set to darkest and lightest points or sharpen the picture. From the top menu select Image, then select Adjustments, then select Levels, or if you are a ctrl key fan click �ctrl l�. The histogram appears; the sliders at the bottom control brightness and contrast while the sliders above control tonal values. I said we were going to keep it simple so let�s use the sliders at the top. They appear as 3 small triangles. Start to play with them. Move them left to right and right to left while watching the changes you are making to the photograph. When you are satisfied the picture appears optimized click OK. Budda boom, you�re done. How long did that take?

That was really easy and effective. If you feel adventurous repeat the process above. This time when the levels menu appears double click on the eyedropper and target your tonal areas.

Here�s a couple of helpful tips while working with Adobe Photoshop:

Click the �tab key� to clear all tool bars.
To save an image for the web click �cntrl, shift, alt, S�
Learn how to use the �automate� feature and save valuable time.

Posted on on January 30th, 2008 in Uncategorized   | No Comments »

Color correcting by numbers for giclee printing

Color correcting by numbers for giclee and other digital printing methods

Color correcting images on screen for digital output is one of the most problematic issues in digital imaging. What was a task left to pre-press professionals in the past and something of no concern with the general public using film cameras, has now become a must for anyone using a digital camera. Over the years there have been a number of companies offering color calibration hardware and software to match what is seen on screen to the actual printout. Soft proofing (the ability to see an image on the monitor and being able to make a pretty good judgment about how it is going to look when printed) is definitely of big help.

This said, the only sure way to be able to precisely color correct is done by numbers. To make a comparison, take a pilot for example: when visibility is low pilots rely on what the instruments say to navigate. No matter if it is day or night, they can navigate without having to see where they are and where they are going.

The same can be applied to color correction. Depending on a monitor to apply color changes, especially when subtle modifications need to be made, is not the best way. All computer screens shift in color from the moment they are turned on. Numbers do not change.

Photoshop makes it very easy to see what the color measurements are for any given area in an image. The eye picker will read the quantity of red, green and blue when passed over the chosen area. For the purpose of this article we will stay with the RGB primary color space. When looking at a pure black the reading will be R=0, B=0, G=0. A pure white will be R=255, B=255, G=255, 255 being the maximum amount in the scale. What is between pure white and pure black? Grey, which can be any equal amount of these 3 colors, would be for example 122, 122, 122. A lighter grey is 180, 180, 180.

Why is this important? Simply put, very! Let� s go into something practical: You are working on a picture of your toddler taken with that high-resolution camera you got for Christmas. It looks good on the screen but when printed the skin tones make your child look like he is blushing under 110 F heat. When going over the skin with the picker the reading is R=200, G=140, B=139. Immediately the red reading of 200 pops out as a lot compared to the fairly equal and lesser quantities of green and blue. Without looking at a proof you can see how that skin will be primarily red. It is OK for skin tones to have a mix of colors and for a Caucasian complexion to have a higher level of red. A difference of about 60 between red and the other two primaries may be excessive. Also, a warm skin tone requires a little bit of yellow to be present. In our case the initial reading for B and G is about equal, meaning they neutralize each other and make the red stand out as the preponderant color. To add a little yellow we need to decrease the blue (Blue and Yellow are opposites). In this case a good mix for such skin tone could be R=190, G=140, B=130.

These numbers are not to be taken literally but as a guide to create a pleasing balance. Practice taking color readings in different areas of an image. Look at the printed proof. You will soon learn to correct by numbers and be free from monitor shifting!

Posted on on January 30th, 2008 in Uncategorized   | No Comments »

Face Smoothing : Bring Beauty To Your Model’s Face

A normal woman’s face can be smoothened into artistlike smooth face by a simple way in Photoshop. What you need is a woman model photo in normal state ( no under or over lighting, and the color should be natural ). The steps are:

  1. Open picture in Photoshop
  2. In the History Pallete, click Create New Snapshot ( camera icon). A snapshot named Snapshot 1 will appear in the History Pallete
  3. Click Filter, Blur, Gaussian Blur.
  4. Set the value of the Gaussian Blur so that the face will look smooth. In this state of course all part of the pict will look blurred.
  5. Create another snapshot that will be automatically named Snapshot 2.
  6. In the Snapshot 2, clik the little box on the left, so a history state icon will appear there
  7. Click the Snapshot 1.
  8. Press Y button to activate History Tool.
  9. Set the value of Hitory Tool opacity ( on the top of the Photoshop window) between 60% and 70%.
  10. Sweep the woman’s face carefully with this history tool.
  11. Do not sweep lips, eyes and nose’s holes.
  12. If needed, you can enlarge this tool by pressing ] button or make it smaller by pressing [ button.
  13. For the parts with hard line such as nose and chin, you should reduce the History Tool opacity into about 30% or 40%.
  14. Done…

Posted on on January 28th, 2008 in Uncategorized   | No Comments »